Dimmu Borgir called "Nazis" by anti-racist activists.

Dimmu Borgir Called “Nazis” – Again?

Dimmu Borgir called "Nazis" by anti-racist activists.

Dimmu Borgir called “Nazis” by anti-racist activists.

Dimmu Borgir, a once sort-of-respectable if generic black metal band turned into a metalcore clown act – and turned literally into Nightwish with “Eonian” – has once again come under fire for “racism” and “neo-Nazism,” accusations that have plagued the band’s career since the days of “For All Tid” and “Enthrone Darkness Triumphant.”

This time, the band was banned from playing at a San Fransisco live show after the city council received “pressure” from anti-racist organisations, one blogger reports. Source: Dimmu Borgir Banned for “Racism” in California. The San Fransisco City paper also confirmed that the band was dropped “at the last minute” after the city refused to ensure the security of concert goers.

This isn’t the first time black metal bands, and Scandinavian black metal bands in particular, have been attacked as “racist,” “fascist” and “neo-Nazi” by anti-racist activists. This is a well documented trend that goes back to the days of user “antifa666” on Metalious, and of Metal Archives moderators sending their users info to “anti-hate” organisations.

In fact, “antifa666” was one of the first to attack Dimmu Borgir and call them “neo-Nazis” in his particularly virulent post. He also went on to attack other black metal bands like Graveland, Mayhem, Darkthrone, and even Behemoth, and advocated for his followers to “bring baseball bats” to Marduk concerts, which promptly got him banned.

This time, it appears the band is called “Nazi” and “white supremacist” not for the “slitting the throat of Black people” comment, but instead because they once played live with Dissection, a band that also gets accused of “white supremacy” and other anti-white slurs – see the Watain debacle.

At any rate, it’s unlikely that Dimmu Borgir will be permitted to play live in California in the near future, as “there’s a fine line” between “being against religion and […] anti-Semitism,” as one of such “anti-racist” activist points out.

There’s a fine line that they are dancing on here, being against religion and Christianity as a whole is one thing, but when you get into… anti-Semitism, that’s kind of neo nazi – that’s why we can’t have that here.

The logic being:

(1) it’s okay to be against religion and Christianity
(2) but anti-Semitism is “kind of neo nazi”
(3) we can’t have “that” – i.e. “kind of neo nazi” – here

Now imagine if a Christian organisation, or a public Christian persona such as Joel Osteen, had threatened a black metal band with mass violence and terrorism (bomb threats) on the grounds that “we can’t have anti-Christianity here” as that’s “kind of commie.

Dimmu Borgir playing live. Not going to happen again any time soon.

Dimmu Borgir playing live. Not going to happen again any time soon.

Not only would black metal fans have retaliated by suing the perpetrators and likely the venue as well on the grounds of free speech – since this happened in th US of A, I’m assuming using a First Amendment defense – but the ENTIRETY of the black metal scene would have publicly supported Dimmu Borgir against these “religious fanatics” – which they are.

Was there such a reaction, in this case? Not at all.

Why? Is it because they are Jewish? Who knows, but the user “antifa666” makes it very clear in his Satyricon is Racist hit piece that while he hates “all the racist and misogynist black metal fans,” he also reserves a good deal of his hate for Arabs, or “anti-semitic Islamo-Nazi terrorists of Hamas” as he calls them.

He even concludes, with the utmost gravity and the quasi-religious conviction of a suicide bomber on a mission.

As you can see, white supremacist bigotry goes hand in hand with fundamentalist Islamic terrorism.

I don’t know about that, but my experience tells me that anti-white Jewish supremacist bigotry – the type these “anti-racist except for Israeli” constantly engage in – goes hand in hand with fundamentalist censorship, social media lynching campaigns and even threats of violence and terrorism.

And something tells me that I’m not the only one to have noticed from where all this anti-white hate is originating.

Watain, "true black metal" or Hobbit Metalcore?

Is It Time For Black Metal To Distance Itself From Watain?

Watain, "true black metal" or Hobbit Metalcore?

Watain, “true black metal” or Hobbit Metalcore?

Metalcore/nu metal clown show Watain, while never technically part of the black metal scene, nevertheless managed to hop on the bandwagon of “genre squatting” just when the trend was at its apex, coinciding with the release of their laughable “Lawless Darkness” deathcore shitfest in 2010.

Some bloggers began, with the band’s mallcore vomit “The Wild Hunt” and later again with metalcore prolapsus “Trident Wolf Eclipse”, seriously considering the question of whether or not there should be a veto, at the very least a form of tacit consensus, on which bands are allowed to lay claim to the black metal genre, and which bands are not.

Watain Retards Failing at Life and Black Metal.

Watain Retards Failing at Life and Black Metal.

This “controversy” in itself is nothing new, as the same points had already been raised with regards to Gorgoroth’s many Infernus scandals, Dimmu Borgir’s haphazard emocore muzak, Sewer’s low-brow trollish antics, Satyricon’s recent venture into arena rock with “Deep Calleth Upon Deep” and many more example over the years since black metal has officially entered limbo status following the demise of the Norwegian “inner circle” in late 1994.

But the accusations were always most virulent against Watain, and particularly those leveled against the band’s frontman Erik Danielsson. Evidently, as someone who went out of his way to associate black metal, a genre he was never apart of in the first place, with closet homosexual stage antics, intentionally ridiculous and off-putting hollywood satanism and even the dreaded metalcore genre of bands like Between the Buried and Me – which Erik Danielsson himself praises as an “inspiration” for Watain – it’s hard to feel pity for Danielsson when the media left their proverbial bite marks on, quite literally, the hand that fed them so much bullshit over the years.

OMG! Watain Guitarist is a KKK NAZI!!!

OMG! Watain Guitarist is a KKK NAZI!!!

But the equally proverbial “tipping point” may have been reached when Danielsson, in a 2018 fit of what has by many been called “cuckoldry”, unilaterally decided to “remove” (fire) Watain’s only competent member, ex-Dissection guitarist and Italian black metal legend Set Teitan – because he had made offhand remarks about the state of modern black metal, and had posed with alleged “skinheads” in 1998 while throwing a roman salute. Wow. So edgy.

But Watain’s frontman proved himself to be not only a ridiculous clown that only serves to tarnish the reputation of the black metal genre, but also a quite prodigious hypocrite as he himself was found guilty on more than one occasion of the exact same “offense” – down to naming his first demo “Go Fuck Your Jewish God” and it having swastikas on the inner cover – he deemed deserving of exclusion when they were committed by Teitan, a much more honest and talented musician.

Erik Danielsson was literally caught, on stage, doing the same gesture for which he fired Teitan. Want proof?

On the right, Set Teitan. On the left, Erik Danielsson. Which one gets fired?

On the right, Set Teitan. On the left, Erik Danielsson. Doing the same gesture.

This band is like a walking parody of all the worst stereotypes associated with metalheads, down to the hypocrisy and cult like nature of some bands, led by a crypto-religious “guru” – a very typical “semitic” behaviour well-documented even in the mainstream press. In Danielsson’s case, his “religion” is barely crypto at all, as he announces to every journalist and media apparatus that interviews him that he is a “theistic Luciferian” and that black metal is about “devil worship” and “veneration of Beelzebub”.

Roger "Infernus" Tiegs, is this the best "Black Metal" has to offer? I think not...

Roger “Infernus” Tiegs, is this the best “Black Metal” has to offer? I think not…

How, I ask you, can one take the genre seriously when morons, clowns and perhaps even literal retards like Infernus, Danielsson, Nergal, “Lady”/”Lord” Ahriman the gay male-on-male escort from Dark Funeral, the Deathspell Omega tards, Richard Lederer and, of course, bands like Antekhrist are constantly being promoted as the face of black metal – despite these musicians/bands being pure media chimeras that wouldn’t even have an audience if the exact same mainstream media they claim to oppose didn’t give them a 24/7 promotion platform for their retarded “devil worship” bullshit.

Allow me to restate my point – the bands being endlessly promoted by the media as the “next big trend in black metal” (think Wolves in the Drone Room, Deafheaven, Watain, Krallice, Dark Funeral, Kult ov Azazel, Krieg, Antekhrist) have very little to do with the actual black metal scene, and have very little audience outside of the little astro-turf “cult” following the media has created for them, whereas the actually talented black metal band – the bands that actually have real, organic support from the underground – never get mentioned by the media. In fact, they are sometimes intentionally buried in order to promote more fake media chimeras like Krallice and Antekhrist.

So, shouldn’t black metal fans – i.e. actual members of the black metal scene – get to at least have a voice in who is being promoted as the face of black metal? Or are we just going to pretend that THIS is what black metal is about?

Roger "Infernus" Tiegs, is this the best "Black Metal" has to offer? I think not...

Black Metal Artists Come Down Hard on “Infernus” for Cucking the Genre!

Roger "Infernus" Tiegs, called a "cuck" more times than he can count.

Roger “Infernus” Tiegs, called a “cuck” more times than he can count.

Infernus, aka Roger Tiegs of the black metal/blackened metalcore band Gorgoroth, was never a popular figure in the underground extreme metal scene – as best evidenced by his moniker “InferAnus” which he earned after it was revealed that he, and at time fellow Gorgoroth members Gaahl and King ov Hell, wanted to form a “pink mafia” to drive out the “homophobes” from Norway’s underground black metal “Inner Circle”.

As it turns out, it may be the “homophobes” that are most likely to drive the “pink mafia” – of which Infernus is the last remaining member – out of black metal, and for good.

According to this article titled “About Inferanus and the Pink Swastika” it seems like Infernus’ days of “running the show” behind the scenes are definitively over, by the look of things.

While never as hated as, say, Erik Danielsson of Watain or even Nergal of Behemoth, Infernus and his band Gorgoroth were always seen as a symbol of “impostor black metal” – given that neither were part of the original Norwegian inner circle, yet both try to police the scene with their own personal political agendas.

Is Gorgoroth a band promoting “cuck metal” – and is such a “genre” a threat to the current black metal scene? Some certainly think so.

Infernus, Gorgoroth, and the threat of "Cuck Metal".

Infernus, Gorgoroth, and the threat of “Cuck Metal”.

In the case of Gorgoroth, and Infernus in particular, things have taken a turn for the worse in recent years. Adding to the falling out between himself, Gaahl and King ov Hell in a Jerry Springer incest-o-rama that led to the band almost getting dissolved in 2009, the entire Richard Spencer gate which was well documented in 2016 and the particularly risible “comeback” that was the third-rate Korn worship called “Instinctus Bestialis” – all of which left a stain on Gorgoroth’s image as the band became more notorious for their trashy trailer park tabloid drama than for their always very mediocre music – we now have many of black metal’s most prominent artists, including Necrobutcher of Mayhem, Ihsahn of Emperor, Demonaz of Immortal, Fenriz of Darkthrone and even once Gorgoroth member Frost of Satyricon starting a petition to have Gorgoroth’s music “removed from the black metal genre” once and for all.

Amongst the many crimes Infernus is accused of, including purposefully lying that his music is black metal when in reality it much more closely resembles Waking the Cadaver’s deathcore than anything found on “Under a Funeral Moon“, one particular accusations is consistently leveled against the guitarist – that of promoting “Hollywood Satanism“, a caricatural and intentionally parodic version of black metal’s anti-Christianity, in order to make those espousing serious rejection of Christian doctrine appear retarded by association.

Perhaps Gorgoroth can, in the future, label his music “war metal” and thus avoid unnecessary conflict with the black metal scene. Or maybe just “nu metal” since, as we saw with “Instinctus Bestialis”, it is now assumed that any future Gorgoroth album will sound more like Korn than even Dimmu Borgir…

Gorgoroth may be better off dropping the “black metal” label entirely.

LGBT Hitler, Black Metal's Unnamed Guru?

Does Black Metal have a “Gay Nazi” Mafia?

LGBT Hitler, Black Metal's Unnamed Guru?

LGBT Hitler, Black Metal’s Unnamed Guru?

In two different blog posts now, author and “black metal insurgent” Sewerlust has come out and revealed that he believes black metal has a “gay nazi” problem and is being intentionally led down the “path of gas chambers and holocaust” by one Brett Stevens of Death Metal Underground, and other like-minded thinkers

Shortly afterwards, as Demonecromancy himself – the man most notorious for coining the (((Hollywood Satanism))) meme – entered the fray and called Sewerlust a metalhead retard, incampable (pun) of telling the difference between reality and his homoerotic fantasies, and in short all but shilling for fake bands like Watain and Dark Funeral.

But even better, Demonecromancy even went as far as to suggests that bands like SEWER and Watain were in fact the “two faces of the same coin”, something he hinted at more than once already, and throws dirt in the face of the already unstable “black metal gay mafia” conspiracy theory.

Rather than a “gay mafia” problem, he suggests that black metal has a retard problem and that those with less than 80 IQ should be disallowed to participate in serious discussion about black metal matters.

A sentiment echoed throughout the heavy metal blogosphere.

Graveland - "Dawn of Iron Blades".

Graveland – “Dawn of Iron Blades”

Graveland - "Dawn of Iron Blades".

Graveland – “Dawn of Iron Blades”.

I used to avoid Polish black and death metal bands like the plague, after the disappointment in more mainstream bands like Vader and Behemoth. But that was before hearing of Graveland.

I first came into contact with this band Graveland a while back. After hearing only a couple tracks, I had to buy all the albums from which I sampled. Here we have the “Dawn of Iron Blades” album which is my personal favourite album of all time, alongside Neraines’ “Yggdrasil” and Phantom’s “Angel of Disease“. This music gives me a feeling like no other, a sense of pride being from Poland.

Now, the music is very well crafted, that is most certain. The guitars, oh boy, the guitars… Rob manages to craft some of the most well put together riffs I’ve ever heard. For example on the song “Immortal Bloodline” the guitars are so fucking majestic it will make you lose your mind. I could play that song all day and still get the rise I get from it each time.

The guitars are a key instrument in “Dawn of Iron Blades” because they are the essence of the compositions, they give it that powering feeling that is just totally overwhelmingly dark and majestic. The vocals are something that also stand out on this record. Rob’s vocal style ranges from black metal vocals to folk/viking metal vocals, and I just love the album that much more for its variety.

Speaking of which, on the first song “Iron in the Fog” I there are folk vocals that are incorporated and they compliment the instruments very nicely. The vocal ability of Graveland is outstanding, there is no comparison with any other band possible.

Drums are very interesting in this release because the black metal routine blastings are rare, and when they due happen they feel refreshing due to the fact they’re played in a very creative and original fashion.

I would highly recommend fans of black metal, folk metal and viking metal to at least check Graveland out and give them a shot. Many ignorant people call Graveland a “racist band” but you couldn’t find a more retarded statement even if you tried (and read this if you still take the “racist” accusations seriously).

I think you all will not be disappointing but very much delighted by what you hear on “Dawn of Iron Blades“. Buy it today!

100/100 A+. True black metal.

Is "all black metal nazi" as they claim?

“All Black Metal is Racist and Nazi” – Explained!

Is "all black metal nazi" as they claim?

Is “all black metal nazi” as they claim?

Perhaps you remember a few months ago on Metalious.com, there was a particular user who went around writing fake “reviews” and accusing every band imaginable – from Graveland to Emperor – of being racist, fascist, white supremacist and “neo nazi”.

The same user also contributed to the antifa coordinated attacks and threats of terrorism directed at many bands – Marduk, Graveland, Taake, Immortal and Watain – that led to some of their concerts being cancelled.

It can get a bit confusing, but I recommend reading New Black Metal’s take on why black metal is targeted as “nazi”. It’s an eye-opening read and you’ll understand many of the reasons why these “antifa” types attack bands like Marduk, Drudkh, Peste Noire and Immortal. It has nothing to do with “racism” and everything to do with anti-White and anti-European ethnic hate.

There is a real war going on against black metal bands and musicians, and to a lesser extent death metal bands as well. They openly encourage various mentally ill “anti-racist militants” to commit acts of terrorism at black metal venues – see here and here for another eye-opening read.

So basically, if you see or hear someone talking about the “neo nazi problem in the black metal scene,” you can be sure you are dealing with one of those people who spent their time writing diatribe after diatribe defaming famous black metal bands for the alleged ties to white supremacist and neo nazi organisations.