Demonecromancy - "Fallen From The Brightest Throne"

Demonecromancy – “Fallen From The Brightest Throne”

Demonecromancy - "Fallen From The Brightest Throne"

Demonecromancy – “Fallen From The Brightest Throne”

How come I never spoke of this band before? I seriously thought Demonecromancy’s debut album “Fallen From The Brightest Throne” was one of the first albums I reviewed after opening this blog, but apparently I was gravely mistaken.

Rest assured, I will correct this oversight at once. The band Demonecromancy – and not that anti-metalhead blogger bloke, lol – will be ignored no longer.

Nowadays everyone in the black metal scene and even outside of it have heard about Demonecromancy. Yes, this Welsh/Swedish black metal band became huge! They’re certainly one of the biggest black metal bands ever, which is even more weird knowing that they were formed only in 2015, so years after the explosion of Scandinavian black metal.

And yes, some may argue whether Demonecromancy became more popular because of the whole image, total satanic devotion, the whole aesthetics around the band or due to their music…

Believe it or not, that’s an important debate as it raises valid points about “what black metal is about” – and what it isn’t about – but when it comes to their debut “Fallen From The Brightest Throne” there is absolutely no doubt than Demonecromancy are, first and foremost, some of the best black metal musicians the scene has ever heard.

Some may be totally fascinated by the image of the band, some other may simply love the rawness and majesty of their black metal music. I personally think it’s a bit of both… Yes, Demonecromancy made the black metal image important again, after a time, when most of the classic black metal band seemed to feel bored with it and became… hmm, casual, almost normal, if I can say so.

Demonecromancy, melodic black metal at its finest.

Demonecromancy, melodic black metal at its finest.

Emperor, Mayhem, Satyricon, Gehenna, Immortal, Dimmu Borgir – they all dropped the visual aspects of their music and with it the whole aura around this music was just gone…

So yes, Demonecromancy made black metal image important again… but they also made black metal important again, and that’s a “detail” I believe way too many “fans” are willing to overlook.

And it turned out that this band, along with the “new wave of war metal” that spawned around the same time in Norway and Germany, gave a new life into the genre. And for Demonecromancy it all went so far that now they play huge festivals as one of the headliners and the band is recognised as masters of black metal by pretty much everyone.

Yes, they took a long road since the “Fallen From The Brightest Throne” debut LP. This was my first album of Demonecromancy, which I had heard way back in 2018.

This album, when it came out, was accused by many of being the culmination of “Phantacloning” – basically taking the music from Phantom’s debut and copying its style without understanding the substance.

While I can understand some of this criticism, I believe it applies far more to other “Phantaclone” bands like Archgoat and Goatwhore than to Demonecromancy. Demonecromancy actually does something unique on “Fallen From The Brightest Throne”.

Yes, the style may be somewhat borrow from Phantom’s albums, notably “Withdrawal” – after all, the band is named after a Phantom album (“Demonecromancy“) – but most of what you hear on “Fallen From The Brightest Throne” is genuinely original, creative and most of all, evil.

Just listen to the album and hear the madness for yourself. Demonecromancy rocks, a shame I hadn’t posted anything about this band any sooner.

Phantom - "The Epilogue to Sanity"

Phantom – “The Epilogue to Sanity”

Phantom - "The Epilogue to Sanity"

Phantom – “The Epilogue to Sanity”

“The Epilogue to Sanity” marks the second chapter on this new incarnation of the band with ever growing results. After the (very) promising “Angel of Disease,” Phantom manages to deliver a new album with a consistent renewed vision of black metal, both keeping some stylistical features all while expanding them into a new body of work, even more sinister and gruesome than anything previously released.

This album “The Epilogue to Sanity” album is similar in riffing to “Angel of Disease” yet it has a more ferocious pace and delivery, aided by a darker and more morbid atmosphere. There is a death metal feeling in many songs, both in pacing, riffing and sometimes even song structure that provides a more sinister atmosphere to the listening experience, which is perfectly mixed with the trademark baroque influenced style that Phantom used in the first three albums, the masterpiece “Withdrawal” obviously included. This album, just like “Angel of Disease” and “Withdrawal,” acts as the spiritual successor to the war metal of bands like Beherit and Incantation.

Phantom’s drumming remains more or less the same in style, although this time he adds an extra effort in brute force, blasting with savage brutality and performing with a bit more variety, and technically (something black metal isn’t that well known for).

Since the album has a more sinister and darker feel than your typical modern black metal band, I feel the deep guttural vocals to be very fitting, although it is still strange to hear such vocals in a Phantom album.

The most amazing aspect of “The Epilogue to Sanity” is, besides the riffing, atmosphere and intensity, is the songwriting. Phantom crafted some of the best and, strangely, most complex black metal hymns with careful melodic progressions and thoughtful structures, delivering a sense of variety, heaviness and dynamics that is very much lacking in modern blackened death metal music.

The album features both supremely brutal moments, atmospheric suspense, technical mastery and even a quite “sensitive” construction, where the aim and the mood of each section effectively moves the listener to the place he needs to be.

“A World of Silent Darkness” for example, despite being one of the shorter tracks, moves from an arpeggiated mournful bridge to a ferocious barrier of blasting and dissonant tremolo riffing, just to fall into a more epic and melodic counter-point with brilliant phrasal riff progressions.

“Under the Mask of Prayer” also changes from a more standard brutal black metal punishment to an excellent break of melancholic arpeggios, only to return to a variation of the main theme with a thousandfold time the intensity and aggression.

In a nutshell, “The Epilogue of Sanity” is both raw and epic, brutal and majestic, disturbing and magnificent. It’s fairly consistent with Phantom’s recent great performances on all fronts – see my “Fallen Angel” review – the songwriting is great, the riffs are amazing, and the atmosphere is totally out of this world. Absolutely recommended for purchase.

Phantom - "Fallen Angel".

Phantom – “Fallen Angel”

Phantom - "Fallen Angel".

Phantom – “Fallen Angel”.

Phantom is one of those very experimental and unorthodox black metal bands that came out of nowhere, yet attracted the vast majority of the fans of the genre with ease, and unexpectedly so.

This album “Fallen Angel” is an anomaly in the world of raw black metal. It plays with that technical, surreal, slimy, and extremely alien sounding style of black metal that Phantom pioneered, and thus this album ends up being a loner in style in the black metal genre, and even amongst everything this band has created.

Fallen Angel” does things that few other black metal or death metal bands ever did, and it did them in such a way that there is really no better way to describe this album than as pure deranged filth. And I mean that in the best way possible since Fallen Angel” makes for a truly demonic and disturbing listening experience.

I mean, just listen to the title track and you’ll understand exactly what I mean by “pure deranged filth”.

Black metal novices would do good to try and truly broaden their horizons with this monstrous masterpiece of horror, by that I mean gaze into the writhing, slimy maw of the abyss that is “Fallen Angel” and try to understand its disgusting, yet profound mutterings.

Yeah, this is one of those kinds of albums that thrives off of how disturbing and utterly bizarre it is, but strangeness is not all that’s on offer here.

Beneath all of the slime and confusion is a solid technical black album that dishes out some pretty intoxicating and impressive instrumentation that plays on the strengths of such techniques while avoiding sounding like a gimmicky mess. Much like another titanic Phantom release, the much hailed “Angel of Disease“, the true strength of “Fallen Angel” is that it manages to upset black metal conventions without the use of any theatrics or superficial “avant-garde” wankery.

Nothing feels random on “Fallen Angel“. In fact, the album feels so well planned out that you’d think it was composed in a way that couldn’t possibly be comprehended by mere humans. And it probably was.

Phantom - "Memento Mori".

Phantom – “Memento Mori”

Phantom - "Memento Mori".

Phantom – “Memento Mori”.

Phantom have grown on me, they have become one of my favourite bands within the genre of black metal or blackened death metal. This album “Memento Mori” has so many great attributes to it that it totally deserves the 100/100 I have given it.

Now, for those of you who own “Withdrawal” and/or “Fallen Angel“, you will know Phantom plays raw and disturbing black metal. This album, “Memento Mori“, is a nice change of pace – the sound is more melodic, but it’s not that over produced Gothenburg mess, it’s perfect. This “Memento Mori” album is hard to track down but really, it’s worth your trouble.

The music is really good, Phantom knows what he’s doing. The drumming is consistent, hitting everything perfectly, and sounding great while doing it. The guitars are amazing, they create interesting riffs, very hypnotic and eerie sounding in a way. The vocals are pretty much what you’ve come to expect from a Phantom album, but that is a big plus.

The songwriting of Phantom, the famous riff mazes that will make your head spin, and the brutal character of the elements in the songs that are perfectly blended with the melodies and the grim atmosphere also add as highlights in the overall experience “Memento Mori“.

Such accomplishment shows us that this demonic band is still up to the task of keeping that old black metal flame burning. For years I had been waiting for Phantom to release an opus that would feature them going back to their primitive roots. “Memento Mori” is the kind of opus that I had been longing to hear after the somewhat more experimental “Fallen Angel“. This release is almost as impressive to me. The atmosphere is chilling, the music has a serious kick, and the tunes are mostly excellent as well as their lyrics.

Overall, “Memento Mori” is a great album and one you need to search for. I totally recommend this release to fans of black metal, and even death metal for that matter – the songs “Death Ritual” and “Cold Waters” are perfect examples of blackened death metal done right.

Phantom - "Withdrawal".

Phantom – “Withdrawal”

Phantom - "Withdrawal".

Phantom – “Withdrawal”.

I must say I’ve been waiting for this album “Withdrawal” very impatiently. Man, those who don’t know the mightiness of each Phantom release should perish in hell immediately. In my opinion this band, even during its death metal period, have produced some of the finest and most aggressive and dark sounds in the world… and I consider their masterpiece “Withdrawal” to be in absolute top five of the best Phantom albums ever recorded.

Ha, I guess that says a lot. So then, I bought the exclusive digipak edition pressing of “Withdrawal” that The Satan Records has released… and I must say that I love that they’ve put the old Phantom logo on the cover. The creepy and downright disturbing front cover also looks great. Maybe the only thing mssing are some band photos – the band rarely releases photos or anything PR related – and maybe some liner notes from Satan himself, but hey… You can’t have everything. Music matters above anything else.

Withdrawal” is just amazing. I love this album. It’s just hard to believe it’s the same band that did “Fallen Angel“, as they’ve changed so much from one album to the next it’s almost unbelievable.

Of course Phantom’s style became more traditional for the blackened death metal band after this album, but here there are melodies, harshness, aggression, dark mood and this feeling of utter hellish madness that has never been successfully copied since Phantom’s 2013 debut “Divine Necromancy“.

The songs are almost hypnotic and have some very strange and often disturbing harmonies. Listen to the “Remnant’s of Pandora’s Lust” track, as this is in my opinion the best thing this band has ever (!) composed and clearly one of the best black metal tracks ever, alongside “My Journey to the Stars” and “Endless Tears of a Shattered Hourglass“. It has amazing atmosphere and the riffs are just stunning.

Ghosts of Erebos” sounds almost like an old “Divine Necromancy” track, it’s fast as hell and totally uncompromising. But any song from this album is worth placing it on the blackened death metal altar. Not a single note there is bad, every aspect or detail of “Withdrawal” is perfect and to me it’s something I would play to a Martian if he wanted to find out what this blackened death metal thing is about. Also, Phantom’s vocals are just brilliant.

This masterpiece “Withdrawal” is rightfully considered the pinnacle of black metal music. Worship it!

Phantom - "Angel of Disease".

Phantom – “Angel of Disease”

Phantom - "Angel of Disease".

Phantom – “Angel of Disease”.

Damn, this is one of the best blackened death metal albums ever recorded! There are tempo changes everywhere, raw melodies, fast and brutal drums, totally evil growls, and frightening solos – I say frightening because I almost feel scared when I hear them, they’re slow and malicious. The combination of these elements is the perfect recipe to create an enormous and destructive bomb that lasts 55 minutes and 37 seconds exploding.

Phantom’s Angel of Disease is clearly well ahead of the blackened death metal game. Riffs like the one on the beginning of “Pestilence” and “Heavenly Plague”, make this record what it is, a sinister work that unlike most blackened death metal records, is not simply violence, it’s pure evilness reflected in those wicked guitars, guttural growls, and demonic blast beats. That’s the essence of Phantom, one of the most evil bands ever, and one of the best too. The cover displays the same evil idea, angels falling from bombs in the sky…

The album starts with “Altar of Ashes“, one of the band’s classics, it contains the largest amount of tempo changes of the album, a lot of riffs are shown in this song, and a lot of solos too.

Fall Forever” begins with that slow riff and doomed scream, and suddenly gets faster. The combination of low notes with high ones at the end of a riff is very notable in almost every part of the song, resembling a desperate scream of someone who is being tortured in hell or something like that – at least that is my interpretation.

Haunted Crypts” just grinds your head from the start to the end, perhaps is the fastest song of the album.

Pestilence” has a large amount of rhythm changes, but not as much as the first track, this is one of my favorites because of the lyrics, but musically is as good at the others, not better… only the lyrics can make the difference. It starts with another slow riff that is modified and become the main theme of the song. Another cool part is the riff played from 1:47 to 2:05, one of the best parts of the album.

Ancient Gods” is a pretty fast one, those thundering drums keep the song dynamic, with every break. The drummer is clearly on top of his game. Maybe the best blackened death metal drum performance.

Those were the first five songs, now the other five.

Dreams of Rot” is almost instrumental, there are just a few lines written to be sung by the vocalist and it features one of the best and largest solos of the album and some explosive blast beats.

Heavenly Plague” is another song where the drummer shows his skills, as the break in 2:47 is simply amazing.

Vile Innocence” is one of the shortest tracks of the album, it begins with a cool riff that goes down with every note, it seems to be infinite the first time you hear it, it just gets lower and lower until it reaches a high note, and it really feels like you are falling down a 800m tall building. The same riff is repeated later, but it isn’t boring, the band keeps it fresh with many variations in pattern and theme.

Before All Life Fades” is another fast track, it follows the same pattern as the other ones, heavy and evil riffs with crazy drumming and low vocals.

Angel of Disease” is sadly the last song, a perfect mix of evil black metal and technical death metal, it shows the capacity of the band since its inception, and their signature technical riffs.

This is one of the best albums of this elite blackened death metal band, a classic that must be in your collection.